All of Us or None

Imran Perretta’s first solo exhibition in Poland, at the Ujazdowski Castle Centre for Contemporary Art. The British artist works across film, sound and poetry; here he brings together three works on power, surveillance and exclusion, opening the show with an immersive sound installation. The exhibition runs from 17 July to 4 October 2026.

The Ujazdowski Castle Centre for Contemporary Art on the exhibition:

Imran Perretta is a British artist working across film, sound, performance and poetry. He is one of the most compelling voices in contemporary European art today. His practice stems from the experience of living in a world of inequality and social tensions, accompanied by a need to oppose acts of war and systemic forms of exclusion. In his works, he addresses themes of power, state surveillance and otherness. The artist examines rising Islamophobia and the processes of identity formation among young people with migrant, often Muslim, backgrounds.

Perretta’s first solo exhibition in Poland opens with an immersive sound installation. Here, sound operates directly on the body and emotions, producing tension and regulating affect through techniques drawn from military technologies as well as the film industry. In the next gallery, the two-channel installation the destructors is presented - a work shown concurrently at Tate Britain. The film centres on a group of young men from Muslim backgrounds, navigating social pressure in a world that, in the aftermath of 11 September 2001, has come to perceive them as both a physical and ideological threat. Within a space shaped by sound and precisely choreographed imagery, the characters’ monologues reveal personal and collective experiences of marginalisation, surveillance and alienation. Shot in a former school building now functioning as a youth centre and care facility, the film situates its protagonists within a decaying architecture that becomes central to the narrative. As the work unfolds, tension intensifies while smoke and water slowly enter the building - a metaphor for the gradual erosion of public space and the collapse of civic infrastructure for racialised and working-class communities.

The theme of exclusion returns in the work 15 Days. The video is rooted in the artist’s time spent in northern France with people displaced after the dismantling of the migrant camp near Calais - known as the ‘Jungle’ - in 2016. The camp had provided temporary shelter for thousands of people from Sudan, Afghanistan, Eritrea and Syria, fleeing war, persecution and economic instability. Perretta focuses on the experience of prolonged suspension, placing fragile temporariness at the centre and emphasising the dignity of those living on the margins of Europe’s political reality.

What to expect

Three works, each in its own space. The entrance leads through an immersive sound installation - worth giving it a moment, because it sets the tone for everything that follows. The museum states plainly that sound here works on the body and the emotions using techniques borrowed from military technology and the film industry.

The central work is the two-channel video installation the destructors from 2019, shown concurrently at Tate Britain. The third work, 15 Days, grows out of the artist’s time in northern France among people left without shelter after the Calais camp was dismantled in 2016.

Opening hours and tickets are on the museum’s own page.